Fabio Lattanzi Antinori
Sanatçı, Heykeltraş
Fabio Lattanzi Antinori, b.1971 Rome, lives and works in London.
EDUCATION
2011- 2013 Master of Fine Arts Computational (distinction), Goldsmiths, London
2012 MoMA PS1 Summer School with Marina Abramovic, New York
2007 Printmaking, Central Saint Martins, London
1994 MA Communication Art & Design, CCCA, Rome
1993 University of Architecture, La Sapienza, Rome
UPCOMING EXHIBITIONS
2020
Frieze Sculpture Park with Pi Artworks, London
Royal Society of Sculptors, London (public artwork duo show with Jeremy
Hutchison)
Olympic Park London (public artwork)
Pi Artworks, London (solo + talk)
2021
Kunsthalle Bega, curated by Anca Verona, Timisoara (group + talk)
SELECTED SOLO AND DUO EXHIBITIONS
2018 Two Pillars and Seven Letters, SeMA Seoul Museum of Art, cur. Jimin Lee, Seoul
2016 Dear Shareholder, The RYDER Projects, cur. Bar Yerushalmi, London
2016 Fortune Tellers, MoCA Shanghai, cur. Weiwei Wang, Shanghai
2013 The Scientific Skin, cur. Thomas Geisler and Sabine Seymour. Museum für
Angewandte Kunst, Vienna
RECENT EXHIBITIONS
2019
Deja Vu, Today Art Museum
Deep Feeling, Petach Tikva Museum of Art
Don’t Be Evil, Kanal-Centre Pompidou
2018
Two Pillars and Seven Letters
SeMA Seoul Museum of Art
Artificially Intelligent, V&
Hooked, London Science Gallery
Perfume Shop, The RYDER Projects
2017
Sound, Holon Design Museum
Patterns of Influence, Galerie Für Gegenwartskunst Freiburg
2016
Fortune Tellers MoCA Shanghai
Triennial of Fiber Art, Zhejiang Art Museum
2015
Heaven is a place where nothing ever happens, Pi Artworks (2015)
Kaunas Biennial
2013
The Scientific Skin, MAK Museum Vienna
SELECTED GROUP EXHIBITIONS
2020
New Media Gallery, curated by Gordon Duggan and Sarah Joice, New
Westminster
2019
Dejà vu Today Art Museum, cur. Iris Long, Bejing
Deep Feeling, Petach Tikva Museum of Art, cur. Nohar Ben Asher, Tel Aviv
The Splendid Languages of Paper, 10th opening anniversary of Zhejiang Art
Museum
Don't Be Evil, Kanal Centre Pompidou, cur. Christophe De Jaeger, Bruxelles
2018
Artificially Intelligent, cur. Irini Papadimitriou, Victoria & Albert Museum
Hooked, cur. Hannah Redler, Science Gallery London
Perfume Shop, The RYDER Projects, London
Terms and Conditons May Apply, cur. Bob Bicknell-Knigh, Annka Kultys Gallery,
London
MMCA National Museum of Modern and Contemporary Art Seoul, International
International Artist in Residence Program
Duty Free, Chelsea College of Arts, cur. Bob Bicknell-Knight
Aesthetica Art Prize, York Art Gallery
2017
Resonances, National Museum of Science and Technologies, cur. Joint Research
Team, Milan, Italy
Odessa Biennale, cur. Camilla Boemio, Ukraine
Holon Design Museum, cur. Elisabetta Pisu, Anat Safran, Lila Chitayat, Yael
Taragan, Tel-Aviv, Israel
Galerie Für Gegenwartskunst, cur. Heidi Brunnschweiler, Freiburg, Germany
Pocket Privacy, VandA Friday Late, London
Matter Matters, cur. Claudia Contu, Massimo Carasi, Milan, Italy
2016
Triennial of Fiber Art, Zhejiang Art Museum, cur. Liu Xiao, Xu Jia, Assadour
Markarov, Hangzhou, China
Platform, London
2015
Production Methods, cur. Ozden Sahin. London, Watermans Gallery
Sonic Patterns, Kaunas Biennale, cur Karen Gaskill and Janis Jefferies, Kaunas,
Lithuania
Heaven is a place where nothing ever happens, Pi Artworks, cur. Ashley Conery,
London
Sonic Invasions, cur. Lanfranco Aceti, Tae Hong Park, NYU, New York
The Florence Trust Summer Show, cur. Paul Bailey, Neil Jefferies and Kate Neave,
The Florence Trust, London
Webscience, University of Oxford
Executed, cur. Ozden Sahin, Museum of Contemporary Cuts
Executive Chair, cur. Ozden Sahin, Shonibare Studio, London
2014
Digital Weekend, cur. Irini Papadimitriou, VandA, London
Networked Bodies, cur. Irini Papadimitriou, Watermans Arts Centre, London
2013
Nowhere 13, Goldsmiths, London
OCT Contemporary Art Terminal, Shenzhen
2012
The Open Data Institute collection, London
MoMA PS1 Summer School with Marina Abramović, Rebecca Davies and Linsey
Peisinger, New York
The Tomorrow people, The Elevator gallery, London
The Face of the Shape, La Scatola Gallery, London
ART FAIRS
2018 Art Rotterdam with Ryder Projects
2017 Manchester Contemporary with Ryder Projects
2016 The Internet Yami-Ichi, Offprint, Tate Modern London
TALKS & PRESENTATIONS
2018
MMCA National Museum of Modern and Contemporary Art Seoul, with Deoksun
Park, Irini Papadimitriou and Lisa Park
2017
SpikeArts Studios, Bristol
University of Leeds, with Eduardo Kac and Andrew Prescott, Faculty of Arts,
Humanities and Cultures, Leeds
In-Conversation, with Melanie Lenz and Ashlee Conery, THE RYDER projects
2015
Sonic Patterns, moderated by Janis Jefferies, Kaunas Biennale
Sounds, Images, Data, chaired by Lanfranco Aceti, New York University, New
York
Heaven is a Place where Nothing Ever Happens, moderated by Ashlee Conery,
with Rachel McRae and Reuben Henry, Pi Artworks London
The System Model, MFA Curation Goldsmiths, with Ariane Koek, Isobel
Whitelegg and Peter Mörtenböck, London
2014
Art After the Internet, cur. Janis Jefferies, Centre for Creative
Collaboration,
London
Digital Futures, Sackler Centre, VandA, London
2013
MAK, Museum für angewandte Kunst, Vienna
Data as culture, Open Data Institute, London
RESIDENCIES
2018
MMCA, National Museum of Modern and Contemporary Art Seoul
2015
East London Printmakers; SPACE; The Guest Projects, London
2014
The Florence Trust, London
REVIEWS + PRESS
2019 "Act Reciprocally to Reflect the World", Harper's Bazaar Art, China
(article)
2018
VandA Magazine 47 Autumn Winter 2018 (article)
"Future Now" 100 Contemporary Artists, Aesthetica Art Prize Anthology (book)
"Reassessing Value", Kate Simpson, Aesthetica Magazine, (on-line)
“Fully Automated Networks”, Etienne Verbist, ArtDependence, (on-line)
2017 “5x5”, Dateagle, (Interview on-line)
“Obsolescenza Riprogrammata”, Exibart, (on-line)
“La turbolenza che striscia al suo exit poll”, Paolo Meneghetti, Kritika, (on-line)
“Der Gesang der Aktienkurse”, Herbert M. Hurka, Badische Zeitung, June,
Freiburg (article)
“L’importanza della materia. Quattro artisti a Milano”, Giusi Affronti, Artribune
(on-line)
“Matter Matters. Una riflessione sulla forma e sulla materia”, Giulia Ronchi,
ArtsLife (on-line)
“Minimal in Milan: Matter Matters at The Flat - Massimo Carasi Gallery”, Eic
David, March, Yatzer (on-line)
“A Room of One's Own”, Aina Pomar, Art Dependence Magazine, December 2016,
London (article)
“Talking with Fabio Lattanzi Antinori' Fruit of the Forest, January, (Interview
on-line)
2016
“Five art shows to see this week: National Gallery, Serpentine and more’,
December, RA Magazine (on-line)
“Fortune Tellers” at MoCA Pavilion, Sue Wang, Cafa Art Info (on-line)
“Future singing”, ZhongHan, Liberation Daily, July, Shanghai (article)
“Space and Time”, Wuon-Gean Ho, September, Printmaking Today (article)
“Immaterial Aesthetics – The Internet Yami-Ichi”, Edward Paginton, Modern
Weekly China. (article)
2015 “Real Talk. The artist on representations of failure and the role of data in our
society”, Silvia Badiali, ArtWire on-line. (article)
“Flashcrash Unlimited at the Widget Art Gallery”, Nara Shin, Cool Hunting online.
(article)
2014
“FAD Q+A with Fabio Lattanzi Antinori”, Chantelle May Purcell, FAD on-line.
(interview)
“Will electric ink and aromapoetry revive the physical book?”, Andrew Prescott,
King's College. Facts and Opinion. (article on-line)
2013
“Open Data' Brings Potential And Perils for Government”, Ben Rooney, Wall S
treet Journal on-line. (article on-line)
“Making data tangible”, Julie Freeman presents the ODI Data as Culture
collection, TED Los Angeles. (video)
SELECTED CATALOGUES AND PUBLICATIONS
2019 Grand Tour, Studio Permanente Editore, curated by Camilla Boemio (Book)
Two Pillars and Seven Letters, SeMA
2018
Entkunstung II (book)
Artificially Intelligent, VandA; MMCA International Residency Program; Future
Now 100 Contemporary Artists, Aesthetica Magazine
2017 MoCA Shanghai; National Museum of Science ad Technology Milan
2016 Hangzhou Triennial at the Zhejiang Museum
2015 The Kaunas Biennial; The Florence Trust Summer Show
2013 Nowhere Summer Show 13 at Goldsmiths; The London Art Fair
2012 The Open Data Institute
ACKNOWLEDGEMENTS AND RECOGNITIONS
2019
Lucas Artists Program Montalvo, Fellowship
Royal Society of Sculptors and Olympic Park London, First Plinth Award, Public
Art commission
2018
Future Words, supported by the Italian Cultural Institute in Seoul
British Korean Society, support for the MMCA International Artist in Residence
program
2017 Contours, supported by the Italian Cultural Institute in Tel Aviv and the
Italian
Embassy in Israel
2016
Artist Information Company, Travel Bursary for extraordinary and
inspirational
research
UK China Connections Through Culture, British Council
2015 Artist International Development Fund, Arts Council and British Council England
SELECTED COMMISSIONS
2020 The Cost of Your Words, commission of the Royal Society of Sculptures
2018 Astral Charts (digital sculpture), commission of VandA London
2017 The New Economy (interactive sculpture), commission of Joint Research Center,
EU
2016 Elephant Road (Sculpture), commission of Get Living London
2015 Production Methods, (installation), commission of Watermans Arts Centre and
Arts Council England
2014 Dataflags (interactive screen-print), commission of VandA London
2013 Contours, (Installation) Museum für angewandte Kunst, Vienna
PUBLIC and PRIVATE COLLECTIONS
MMCA, Seoul; VandA, London; Villa Lagarina Civic Museum, Rovereto; Crespina Civic Museum,
Pisa; The Open Data Institute, London; various private collections in Copenaghen, London,
Rotterdam, Rome, Milan and Trento.
